Woomble and the boys bring the joy right away too. The first two tracks are verging on Polyphonic Spree level of sunshine. And they sound really good. The "it" song on this album is a precious little number called "Take Me Back to The Islands." It didn't grab me right away like "American English" and "El Capitan" (the "it" songs on the last two good Idlewild discs) did. But rather, its beauty snuck up on me after a few listens. And that's not the only difference. Woomble is no longer mourning over popular suicide destinations or proclaiming that happiness never happened. "Take Me Back to The Islands" is about having found a place of contentment and longing to return to it. That is what really makes this album work.
Woomble's lyrics indicate that he is no longer a restless soul, crooning over the darkness that is so prevalent in the world. He seems to have found peace. I am relieved to say that this peace has not put a damper on his poetic lyrical authorship.
"Post Electric Blues" is far from a perfect album and not even close to as solid as "The Remote Part." Idlewild has continued to push the folk envelope without fully letting go of their electric guitar punk past which makes the album seem slightly unfocused. I admit that I prefer the mellower side of Idlewild, but "All Over Town" is such a welcome electric track on the album. I really wouldn't change a thing on the album because it would risk destroying what Idlewild so effectively created: an album that reflects the peace the band seems to have found. The album is a place that I can retreat to and feel glad. Every time I listen to it, I am confident that something good exists in this world because it inspired "Post Electric Blues." This album fills me with a warm fuzzy feeling and, for that, I expect to return to this album again and again for many years to come.