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Wednesday, December 22, 2010

My Semester at The Onion




So this past semester I interned with The Onion, writing for the Chicago A.V. Club. I got to write some neat stuff, so here is my semester in review.

Here’s the first piece I wrote. Only one of my sentences was spared by supervisor’s editing. Guess which one and you’ll win a hug from me!

Only my second month into my internship, The A.V. Club knew where to find a writer with some street cred for this one.

2010 was apparently a big year for creative burlesque shows in Chicago. I wrote pieces on Burlesque shows inspired by Pink Floyd and Super Mario Brothers.

I got to write about some really cool things that I never would have heard about. A charity Rock Band tournament and a restaurant masquerading for Halloween.

My supervisor told me to “have fun with this one.” I knew that meant, “you better make this one funny.” Guess what? She liked it! Hooray! Easily my favorite piece.

And on my very last day, I had the pleasure of writing about a tribute screening of one of the silliest men of all time.

Their was some pretty boring stuff in there too, but all in all I had a good experience.

Saturday, December 18, 2010

Number One with a Dull-et




So just about every “Best Albums of the Year” list has Kanye West’s My Beautiful Dark Twisted Fantasy at number one and I don’t like it.

The album’s first single, “Power,” is really groovy. Whoop-da-dee-do. One good song. “Runaway” is one of the worst Kanye songs I have ever heard. I want to puke every time I hear it. Kanye’s lyrics are ridiculous. Normally I can get past his self-important spewing of hot air because he has such a good ear for what sounds good, but not this time.

I can already hear the dissenters asking, “But isn’t ‘Monster’ a great song?” No! It’s not even the best song with that title.

And I’m sick of all the credit he’s getting for “working” with Bon Iver. He’s just taking an artist that all white people like (what ethnicity are music critics?) and including several minimal contributions by him. Name dropping. Shooting fish in a barrel. Call it what you want, either way it’s uninspired.

Do you know why “Lost in the World” sounds good? Because “Woods“ is a great song. Kanye just threw some drums and rapping (that don’t even sound that cool) over it. It’s like a school cafeteria serving In N’ Out burgers for lunch. “Mom, lunch was awesome today! On my list of top 20 school lunches of the year, it was number 1!” Of course it was. It was great when that lumberjack-looking cafeteria worker from Wisconsin did it last year. Now some hot shot from Chicago decides to wrap those same burgers in shiny rapping and he’s being hailed as the greatest chef in the world.

I’m almost tempted to wish that Kanye would just write another “Jesus Walks”, but I know that he would just negate it’s refreshing message with another public display of narcissism.

You want to hear something that was gradually released throughout the year without a nauseating culmination? Check out Robyn’s Body Talk. I may be biased but I have never found so many toe-tappers on one album before.

Saturday, November 27, 2010

How Emma Watson Ruined Harry Potter


In her Harry Potter fantasy saga, author J.K. Rowling describes the character Hermione Granger as bushy haired and bucktoothed. In fact, young Granger’s teeth are so fugly that after Draco Malfoy enlarges them as a prank (in Goblet of Fire, I believe), Hermione instructs the school nurse to shrink her teeth to a more normal size, rather than their hideous original appearance.

The casting director for the Harry Potter movie franchise apparently has never picked up one of the books because he or she cast the stunning Emma Watson as Hermione. Nearly all viewers have come to acknowledge Watson’s beauty, though the most perceptive were able to detect her sublimely good looks back in the Sorcerer’s Stone days. In the series’ finale, The Deathly Hallows, the romantic tensions have moved to the forefront of the drama, making Hermione’s miscasting a much more obvious distraction.

In The Deathly Hallows, Harry and Hermione journey through the countryside. Just the two of them. Two heterosexual seventeen year-olds of opposite sexes traveling alone in the woods (staying in the same tent no less) is just about the perfect hook-up scenario. The catch: Harry’s got a fiery redhead at home and Hermione’s jonesin’ for a Weasley of her own.

The Deathly Hallows Part 1 film attempts to play off this tension by inserting a scene of Harry and Hermione flirtatiously dancing with one another while the world around them goes to hell. I’m sure the intent of the scene was to get the audience to think about the characters' motives—especially in light of their respective ginger romances—but my mind was nowhere near that.

If I were reading the book I might have thought, “But aren’t they just friends?” But after an hour or so of watching Watson majestically glide across the screen, all I could think was, “Why wouldn’t Harry try to hit that?" Sure, Ginny’s blossoming into a fine young woman, but Harry’s got a bona fide ten in his own tent! I’m sure director David Yates wanted suspense, but what he got was an entire audience muttering, “It’s about time.” The only thing that took me by surprise was that I had been replaced by a short, spectacled British boy in the fantasy I have enjoyed for years.

I may not even bother to see Deathly Hallows Part 2. I may, instead, opt to imagine myself inserted in the nude make out scene with Hermione for two and a half hours. I would save ten dollars and be far more prepared should the situation ever arise in reality!

Friday, October 15, 2010

KT Tunstall Suits Up


KT Tunstall got her big American break in 2006 when contestant Katharine McPhee delivered a surprisingly horizontal rendition of her hit song "Black Horse & The Cherry Tree" on American Idol. From there, Tunstall's debut album Eye to the Telescope went multi-platinum. Tunstall's second album, Drastic Fantastic, slipped under the radar—way under—in comparison to her debut. If it weren't for the occasional Eye to the Telescope tracks gracing the radio, one might be compelled to forget about Ms. Tunstall altogether. Fortunately for her fans, she won’t settle for that.

Tunstall's third studio album, Tiger Suit (released Oct. 5 in the US) is the Scottish singer-songwriter's most ambitious effort. "Hold On," the lead single from Drastic Fantastic, was basically a "Black Horse & The Cherry Tree" retread. There is none of that this time. Tiger Suit is clearly a different animal. The very first ominous synthesizer chord makes it very clear that this is not your, um, older sister's KT Tunstall record. Except it kind of is. She still has that honest folky singer-songwriter dynamic and still dabbles in upbeat country blues, but she explores so much more. Tunstall has never shied away from electronic experimentation, her live shows are loaded with samples and loops, but she really pushes herself in that area on Tiger Suit. There are moments at which Tiger Suit could pass for an Imogen Heap album (though Imogen did trade in the electronics for all natural instruments on Ellipse).

The album’s opener “Uummannaq Song” takes no prisoners. The aforementioned synthesizer and echoing “oh oh oh’s” set a vast stage that Tunstall confidently commands, wailing through a powerful chorus. “Uummannaq Song” is poised to be the crown jewel of Tiger Suit until “Fade Like a Shadow” comes around. Perhaps the most cheerful-sounding song ever written about lost love using vampiric imagery, “Fade Like a Shadow” hits with an infectious wall of sound sprinkled with a delightful xylophone line. Not all of Tunstall’s emotions are masked by upbeat pop tunes, though. “Lost,” “The Entertainer,” and the sparkling “(Still a) Weirdo” provide pitch-perfect contrasts to the toe-tappers. “Weirdo” is the confession of a person woefully coming to terms with inadequacies and the inability to measure up. Think Radiohead’s “Creep” with less angst and more heart.

Tiger Suit is a bit uneven, but that speaks more to the excellence of the standout tracks than the deficiencies of the others. Not only does it serve as the vehicle for a few wonderful tunes, but Tiger Suit is also a delightful 43 minutes of music.

Monday, September 27, 2010

I'm Still Here

My Dearest Readers,

I have not abandoned you. Rather, I have been concentrating my efforts on a very modestly paying outlet: The North Park Press. I may still post things here that the Press deems inappropriate or, perhaps, too brilliant and insightful. In any case, please follow my work here.

Forever yours,

Kyle

Friday, August 27, 2010

Premature Holiday Excitement

I know it’s still summer and I just wrote about why I am excited for Fall, but may I write about the exciting holiday season? It looks good. Really good. Good enough to make up for 2010’s crop of Summer films.

Exhibit A: 127 Hours – November 5 (limited)

It doesn’t look as interesting as 28 Days Later, Slumdog Millionaire, or even Sunshine. It also may bring out the worst in my claustrophobia, but I am not prepared to bet against Danny Boyle right now. Especially not with a leading man as likable as James Franco.

http://www.youtube.com/watch?v=nWWcQC0ZxIM

The following week we (hopefully) get another treat: Morning Glory – November 12

I love Jeff Goldlum… or at least the idea of Jeff Golblum. Maybe I only like him as Ian Malcolm and a Conan O’Brien guest. For whatever reason, I am much more optimistic about this Goldblum film than I was about The Switch, but I do feel like I am risking a lot with this pick. Especially because both Goldblum and Harrison Ford are such risks in this genre. The one thing I am confident about is that the always watchable Rachel McAdams will carry the picture.

http://www.youtube.com/watch?v=s9lWUqraDoU

And a third consecutive intriguing release: Harry Potter and the Deathly Hallows Part 1 – November 19

No explanation needed. It looks sick.


Then the potential crown jewel of the season: How Do You Know – December 17

I’ve only seen the trailer, but it looks like James L. Brooks is back to business. The comedy looks so sharp, so smart, and so funny. Hopefully there will be more to it than the trailer jokes. And how about that cast? Paul Rudd, Owen Wilson, Reese Witherspoon, AND Jack Nicholson? Holy Cow! I hope I don’t regret saying this, but if I only see one movie the rest of the year, this is it (no offense, Harry). Please be better than Spanglish. Please be better than Spanglish. Please be better than Spanglish.

http://http//www.youtube.com/watch?v=iAZfBVGWimM

Friday, August 20, 2010

Why I'm excited for FALL!

Along with the magnificently comfortable temperatures, here are a couple more reasons why I am excited for Fall.

Monsters
I love sci-fi. I got excited for the Skyline trailer so you can imagine how giddy this trailer made me. And I should know better than to read in to the review snippets in the trailer, but if someone at “Aint it Cool News” considers this the best giant monster movie that he or she has seen in years, then that means said critic considers it better than Cloverfield AND The Host. I LOVE MONSTER MOVIES!!!
http://http://www.youtube.com/watch?v=_IshZoIwz_o

Hurley
Weezer’s recent reinvention was so welcome. Better yet, they seem to have even further embraced silliness since Raditude. Want proof? Look no further than Hurley’s cover: no text, just the face of Jorge Garcia. “All we wanted was his amazing face,” said singer-songwriter Rivers Cuomo to Spinner. Cuomo is also very proud of a collaboration with Ryan Adams to be included on Hurley. For another fun Weezer collaboration enjoy the video posted below.
http://www.youtube.com/watch?v=EiIwgcrv4wU

Or for a reminder of Rivers’ heartfelt songwriting…
http://www.youtube.com/watch?v=ztvJdAIGk54&feature=related